The setting
Chandeliers, arched windows and a runway of polished black marble between two long dinner tables. I set up the easel right beside the runway as the room filled.

The painting comes alive
As the gowns came down the runway, the painting grew layer by layer: the room first, then the tables and the crowd, and at the centre a model in white.


The reveal
By the end of the show the canvas was finished and framed: La Marie's runway night at The Vancouver Club, painted live as it happened.









